I sing in a community choir and one of the songs in our
repertoire is ‘Bread and Roses’.
“Hearts starve as well
as bodies
Give us bread, but give
us roses”
This comes from a protest poem by James Oppenheim and has
been set to music many times including by John Denver. Although singing is an
escape from work, this particular song always gets me thinking about
philanthropy.
Philanthropy is often framed as oppositional: either ruled
by the heart or by the head. At one extreme, donors are characterised as easily
moved by emotive stories and thoughtlessly giving money to whatever causes they
care about. At the other end philanthropists are described as dispassionate and
objective, keen on impact and effectiveness and looking to scale up social
change using business approaches and technology.
But of course, the truth lies somewhere in the middle.
What’s the point of effectiveness without understanding and compassion? And
money given just with the heart can be a missed opportunity to fund something
else with greater impact. Paul Connelly puts this across really well in his
article ‘The Best of
the Humanistic and Technocratic: Why Philanthropy Requires a Balance’ – the
answer is to recognise the strength in both approaches.
As a Philanthropy Advisor, my role is often about stepping
in to correct any imbalance. This could mean adding the head: such as researching
alternatives or conducting thorough assessments. Or it could involve ensuring
the human element is part of any potential solution, for example, challenging
the desire for easy measurables when people’s lives are complex and chaotic.
A recent trip to the Foundling
Museum in London reminded me that the head and heart have often gone
together in philanthropy. Established in 1739 by philanthropist Thomas Coram, the
Foundling Hospital was both the UK’s first children’s charity and first public
art gallery. Coram was motivated by the plight of abandoned children but it
took 17 years of campaigning and negotiating to get his hospital built. And
from the start he was supported by artists – including Hogarth and Handel – who
donated works and gave concerts to raise funds. Music and art was part of the
children’s education and paintings lined the walls. Coram saw they needed bread
– and roses too.
Emma Beeston
advises philanthropists and grant makers on how best to direct their money to
the causes they care about. Support includes strategy and programme design,
scoping studies, assessments and monitoring visits. www.emmabeeston.co.uk; emma@emmabeeston.co.uk;
@emmabeeston01; www.linkedin.com/in/emmabeeston/